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Crosby,Stills & Nash - CSN (1969) Remaster (1994) [FLAC] *Planxty*

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Description

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          Crosby, Stills and Nash - Crosby, Stills and Nash

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Artist...............: Crosby, Stills and Nash

Album................: Crosby, Stills and Nash/Remaster.

Genre................: Rock

Source...............: CD

Year.................: 1969/1994 Atlantic Records 82651-2.

Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520

Codec................: Free Lossless Audio Codec (FLAC)

Version..............: reference libFLAC 1.2.1 20070917

Quality..............: Lossless, (avg. compression: 130 %)

Channels.............: Stereo / 44100 HZ / 16 Bit

Tags.................: VorbisComment

Information..........: Flac Level 8



Ripped by............: Stb on 24/07/2009

Posted by............: Stb on 24/07/2009

News Server..........: news.astraweb.com

News Group(s)........: alt.binaries.sounds.mp3.metal.full.albums



Included.............: NFO, M3U, LOG, CUE,AUDIO CHECKER.

Covers...............: Front Back CD 



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                       Tracklisting

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   1. (00:07:26) Crosby, Stills and Nash - Suite: Judy Blue Eyes

   2. (00:02:39) Crosby, Stills and Nash - Marrakesh Express

   3. (00:04:41) Crosby, Stills and Nash - Guinnevere

   4. (00:02:45) Crosby, Stills and Nash - You Don't Have To Cry

   5. (00:03:01) Crosby, Stills and Nash - Pre-Road Downs

   6. (00:05:29) Crosby, Stills and Nash - Wooden Ships

   7. (00:02:39) Crosby, Stills and Nash - Lady Of The Island

   8. (00:02:42) Crosby, Stills and Nash - Helplessly Hoping

   9. (00:04:17) Crosby, Stills and Nash - Long Time Gone

  10. (00:05:16) Crosby, Stills and Nash - 49 Bye-Byes



Playing Time.........: 00:58:56

Total Size...........: 233.78 MB



NFO generated on.....: 24/07/2009 15:14:05











Biography from Allmusic.com



The musical partnership of David Crosby (born August 14, 1941), Stephen Stills (born January 3, 1945), and Graham Nash
(born February 2, 1942), with and without Neil Young (born November 12, 1945), was not only one of the most successful
touring and recording acts of the late '60s, '70s, and early '80s -- with the colorful, contrasting nature of the
members' characters and their connection to the political and cultural upheavals of the time -- it was the only
American-based band to approach the overall societal impact of the Beatles. The group was a second marriage for all the
participants when it came together in 1968: Crosby had been a member of the Byrds, Nash was in the Hollies, and Stills
had been part of Buffalo Springfield. The resulting trio, however, sounded like none of its predecessors and was
characterized by a unique vocal blend and a musical approach that ranged from acoustic folk to melodic pop to hard rock.
CSN's debut album, released in 1969, was perfectly in tune with the times, and the group was an instant hit. By the time
of their first tour (which included the Woodstock festival), they had added Young, also a veteran of Buffalo
Springfield, who maintained a solo career. The first CSNY album, Déjà Vu, was a chart-topping hit in 1970,
but the group split acrimoniously after a summer tour. Four Way Street, a live double album issued after the breakup,
was another number one hit. (When it was finally released on CD in 1992, it was lengthened with more live material.) In
1974, CSNY reformed for a summer stadium tour without releasing a new record. Nevertheless, the compilation So Far
became their third straight number one. Crosby, Stills & Nash re-formed without Young in 1977 for the album CSN,
another giant hit. They followed with Daylight Again in 1982, but by then Crosby was in the throes of drug addiction and
increasing legal problems. He was in jail in 1985-1986, but cleaned up and returned to action, with the result that CSNY
reunited for only their second studio album, American Dream, in 1988. CSN followed with Live It Up in 1990, and though
that album was a commercial disappointment, the trio remained a popular live act; it embarked on a 25th anniversary tour
in the summer of 1994 and released a new album, After the Storm. The trio again reunited with Young for 1999's Looking
Forward, followed in 2000 by their CSNY2K tour. 







Review from Amazon.com.



Some albums simply define the times in which they were made, and this happens to be one of those albums. Whatever you
might think about the late `60s hippie movement, there's no denying that it provided the perfect groundwork for
idealistic expression, and you will find a near-perfect representation of those ideals and beliefs on this album. By
1969, hippie idealism had morphed into skepticism while the youth movement became politicized. Somehow - almost
miraculously - Crosby, Stills and Nash walked the fine line between idealistic faith and political activism. At the
time, it really did seem like we could change the world, and this album provided the soundtrack, and the impetus, for
the spirit of change. While the stage at Woodstock was being built, this album played in near-constant rotation, which
is a perfect metaphor for what this album truly represents.

Individually, David Crosby, Stephen Stills and Graham Nash had credentials that virtually guaranteed some degree of
success. Crosby had recently been unceremoniously booted from the Byrds, Graham Nash was looking for a way out of the
pop-music trap that the Hollies had become, and Stephen Stills was recovering after his previous semi-supergroup Buffalo
Springfield splintered into matchsticks. Different backgrounds and radically different personality types made for
interesting musical combinations, especially since they all wrote music, but taken together, the combination was nearly
lethal. Vocally, they were a unit, or to paraphrase "Helplessly Hoping", they were for each other. Stephen
Stills took control of the sessions for this album, and he provided most of the instrumentation on each track. Four
decades on, I now hear that the basic music tracks are a bit claustrophobic, but their voices disguise this so well that
it has taken me four decades to even consider the production techniques that were used.

Nearly forty years later, it is obvious that some songs have held up better than others. Virtually everything written by
Stephen Stills still sounds fresh, inventive and original. No matter how many times I hear "Suite: Judy Blue
Eyes", I will always feel compelled to sing along, while "Helplessly Hoping" and "You Don't Have to
Cry" are only marginally less stunning in their originality. Crosby's tunes have aged a bit, especially the
anthemic `shot-over-the-bow' polemics of "Long Time Gone," but "Guinnevere" has retained its odd
individualistic charm. The Graham Nash songs don't fare as well. "Pre-Road Downs" has grown dated, while
"Marrakesh Express" has become one of the most vilified pop songs of the post-hippie era (Iggy Pop referred to
it as one of the worst songs he ever heard). Taken as a package, though, "Crosby, Stills and Nash" is a
time-capsule item that stands solidly on all three legs.

It might sound a bit ridiculous, but there is one tiny complaint that I have with this otherwise superb re-issue. I have
played the original vinyl album so often that every nuance has been committed to memory, and I'm certain that many
others have done so perhaps even more than me. Fanatics will surely remember the short bit before "49
Bye-Byes" where David Crosby riffs a vocal line from Robert Johnson's "Come On In My Kitchen." It is
missing here, and I sense its absence every time the CD reaches that point. To compensate for this gaffe, the disk
provides four extra tracks, including a gorgeous version of Fred Neil's "Everybody's Talking", so I'll
consider it a fair exchange. 

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